Program or Be Programmed

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It's easy to take how the world works for granted. 
As Christof remarked in The Truman Show: "We accept the reality of the world with which we are presented."
Steve Jobs spoke to this idea and shared his thoughts about it. 

Douglas Rushkoff shares his thoughts, as well, in this very readable book. Although he touches on the subject of programming-as-coding, the book mostly deals with the programming of our behaviors in the digital age. In other words, if we don't consciously program how we interact with the technology, then we'll be programmed by it. And technology has its biases. As Rushkoff explains, "All media and all technologies have biases. It may be true that 'guns don't kill people, people kill people'; but guns are a technology more biased to killing than, say, clock radios.'"

This is a nice book to read, even if it's just to shake you awake momentarily from your digital sleep.

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The Lean Startup

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I recently left a large corporation to work for a small startup. I was at my previous employer for 17 years, so the switch has been both a significant change and an interesting adventure for me. I now have more responsibilities in my current role, while getting paid much, much less for fulfilling them. Why did I decide to make such a switch? Mostly for the sake of my sanity. Big Corporate Culture finally got to me with its bureaucracy, politics, and pathological practices - all symptoms of deeper disorders. However, startups also have their own share of neurotic behaviors, which may be why most of them fail. Eric Ries provides entrepreneurs with a saner and more methodical approach towards business development and innovation. Like Lean Logic, Ries draws inspiration from Ohno's Lean Manufacturing.

Reading this book and Lean Logic has caused me to contemplate on how I can apply lean thinking to more aspects of my own life. "Lean" is my current word-in-play.

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Lean Logic

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I love dictionaries. And I love to collect them. Earlier this year, my wife and I spent a weekend in Victoria. We had about an hour before we had to board our seaplane, so we took a stroll nearby the terminal. By chance, we came upon a used bookstore, and there I found and purchased a beautiful nineteenth century volume of Barclay's Universal English Dictionary. It was a hefty book, and there was a very strict weight limit for the luggage on the seaplane.  As we prepared to board, I was filled with quite a bit of anxiety (and images of having to choose between keeping my wonderful impulse buy or missing our flight). Fortunately, we did not exceed the limit (whew!).

I first read about David Fleming's dictionary in a Design Observer post by John Thackara. It's hard to describe what's in this book, but read Thackara's post, if you want to get a sense of it. If there is a central tenet, I believe it's the application of Lean Thinking to our world society and economy. It's a frame of reference derived from Taiichi Ohno's Lean Manufacturing principles. Given the current state of the world economy, the level of unrest that we're witnessing in movements like Occupy Wall Street, the Arab Spring, etc., perhaps it's time to consider alternative ways of managing our general welfare. 

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PIG 05049

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The moral virtue of frugality seems to take on an unsettling meaning when scaled out to a global level. At least that's what I took away from reading Christien Meindertsma's book. Meindertsma is an artist and designer who decided to research all of the different products made from one pig (#05049). The products range from the expected (hamburger) to the downright surprising (ammunition). I learned about the book from watching her TED talk, which had been sitting in my queue of iTunes podcasts, since last year. I knew I had to get the book when I saw the yellow ear tag attached to it (another reason why I hope books never go completely digital).

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Far Out isn't Far Enough: Life in the Back of Beyond

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In a Paris Review interview, Guy Davenport remarked that "the illustrated text goes back forever. The Victorians wouldn't buy a book if it didn't have woodcuts in it. And the same for the Middle Ages, I think--the more pictures the better."

If that's the case, then the Victorians would have bought Tomi Ungerer's book in a heartbeat. Virtually every page in this volume has a lovely illustration to accompany its text, which is based upon a 12-month diary kept by Ungerer, during he and his wife's return to nature in Nova Scotia, Canada. Apparently, life in New York was already hectic by the 1970s, and the Ungerers were fed up with it.  So they moved into a wrecked house near the town of Gull Harbor (population 2000), raised animals and built a barn, among other things. "Yet we never became real farmers," wrote Ungerer. "I am an artist and earn my income from books and drawings, not from the products of our little enterprise. It was for us a way of collecting new experiences, curiosity about what we had never done before. Besides, it seemed that the only way to exorcise the past life was to start a new one."

I've noticed more books and magazine articles expressing this same sentiment. There is this nostalgia for a simpler time and for a return to farm life. But was farm life really better? Not according to this article in the latest Lapham's Quarterly. We like to romanticize either the past or the future, but rarely the present. Why is that? Is it such an impossible task?

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Make It Bigger

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Paula Scher is a partner at the prestigious Pentagram. She built her reputation mainly from her early graphic designs, which includes the iconic Boston album cover (for those of you old enough to have experienced that musical era) and the Citigroup logo. The book is an entertaining account of one female designer's rise through what was (and arguably still is) a male-dominated business, and culminating in her current role at Pentagram. There are tons of examples of her work in the book, as well as the insightful - and often humorous - stories behind them. She offers some great thoughts on how to work with clients and through corporate politics. Scher relies heavily on her intuition when designing, but understands that her clients ultimately want articulate rationales for the designs (how else can they judge whether or not the work is any good?). She thinks it's tragic that a lot of talented designers lack the skills to explain their work to others in this manner, to persuade clients of the merits of their designs. So more often than not, this results in their work remaining invisible to the world at large. It reminds me of Rogers's claim that innovation is not a technological phenomenon but a social phenomenon.

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The Believer

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This is a magazine published by the people at McSweeney's. The articles and essays feel fresh and quirky (the latest issue covers Bulgaria's street necrologues and the Barkley Marathons); the reviews are concise and insightful; the poetry accessible. Grab an issue and give it a try.

Here's a blurb from their website:

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often very long. There are interviews that are also very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist.

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Finite and Infinite Games

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I've encountered this book on several occasions, on the bookshelves of different bookstores, but had never reached the point of actually purchasing a copy until a couple of days ago.
I think it caught my eye for a couple of reasons: 1) the title was intriguing; 2) the book's cover always brought to my mind Paul Fussell's hilarious book Class, which I loved reading. Anyway, I'm glad I finally got down to buying and to reading James P. Carse's book. 
It's been a while since I've read something that has informed and influenced my perspective on life and the world in such a broad and fundamental way. It's a relatively short book, but quite dense in terms of ideas. It's another reminder of how much society (and history) can shape our thinking without our conscious awareness. Mr. Carse gives us another way to look at our lives and our world, to think of them in terms of (infinite) possibilities and not in terms of achieving (finite) conclusions.
If you've already read this book, I would love to hear your thoughts on it.

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Office of Blame Accountability

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I came upon this book by serendipity at a local Barnes & Noble. Its simple design and retro graphics caught my eye. A project started by artists (and self-designated Blame Accountants) Carla Repice and Geoff Cunningham, the Office of Blame Accountability is a public space for people to express and to record their blame towards a person, group, or system - and then point to their own role in that predicament. Carla Repice explains, "I feel blame is an amputation from the body, and accountability is the action of sewing it back." Read more about it at Hyperallergic.

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Public Therapy Buses

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Multiple-Nobel-Prize-winner Linus Pauling once said that the way to get good ideas is to get lots of ideas, and throw the bad ones away. Steven M. Johnson is someone who has a lot of ideas. A lot of them. His inventions take me back to my youth, when I would see those crazy gadgets in issues of Mad Magazine. This book is no longer in print, but you may still be able to pick up a used copy somewhere. Bruce Nussbaum believes Design Thinking is dead and that Creative Intelligence is the next thing. If that's true, then Steven Johnson is a good place to start developing your CI. Allison Arieff wrote about Johnson in The New York Times and has an interview with him in Design Mind. If you're not familiar with Johnson, these articles can give you a taste of what you're missing and may even get your own creative juices flowing.

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